A lot of authors have inspired me through-out my many
years of reading. I have found sadness the words of John Green, thrill in the
words of Dan Brown and Love in the words of Shakespear .But of all the writers
I have read my favorite has to be Margret Atwood.
Full list of publication
Thorough-out her lengthy carer as an author Margret Atwood has published many novels and stories which are stated bellow .
Novels:
- The Edible Woman; McClelland & Stewart, 1969; Andre Deutsch, 1969; Atlantic Little-Brown, 1970.
- Surfacing; McClelland & Stewart, 1972; Andre Deutsch, 1973; Simon & Schuster, 1973.
- Lady Oracle; McClelland & Stewart, Simon & Schuster, Deutsch, 1976.
- Life Before Man; McClelland & Stewart, 1979; Simon & Schuster, Cape, 1980.
- Bodily Harm; McClelland & Stewart, 1981; Simon & Schuster, Cape, 1981.
- The Handmaid’s Tale; McClelland & Stewart, Houghton Mifflin, 1985; Cape, 1985.
- Cat’s Eye; McClelland & Stewart, 1988; Doubleday, 1989; Bloomsbury, 1989.
- The Robber Bride; McClelland & Stewart, 1993; Bloomsbury, 1993; Doubleday, 1993.
- Alias Grace; McClelland & Stewart, 1996; Bloomsbury, 1996; Doubleday, 1996.
- The Blind Assassin; McClelland & Stewart, 2000; Bloomsbury, 2000; Doubleday, 2000.
- Oryx and Crake; McClelland & Stewart, 2003; Bloomsbury, 2003; Doubleday, 2003.
- The Penelopiad; Alfred A. Knopf Canada, 2005; Canongate, 2005.
- The Year of the Flood; McClelland & Stewart, 2009; Bloomsbury, 2009; Nan A. Talese/Doubleday, 2009.
- MaddAddam; McClelland & Stewart, 2013; Bloomsbury, 2013; Nan A. Talese/Doubleday, 2013.
Short Fiction:
- Dancing Girls; McClelland & Stewart, S&S, 1977; Cape, 1979.
- Murder in the Dark; Coach House Press, 1983.
- Bluebeard’s Egg; McClelland & Stewart, 1983; Houghton Mifflin, 1985.
- Wilderness Tips; McClelland & Stewart, 1991; Doubleday, 1991; Bloomsbury, 1991.
- Good Bones; Coach House Press, 1992; Bloomsbury, 1992; Doubleday, 1994.
- The Tent; McClelland & Stewart, 2006; Bloomsbury, 2006; Doubleday, 2006.
- Moral Disorder; McClelland & Stewart, 2006; Nan A. Talese/Doubleday, 2006; Bloomsbury, 2006.
- Stone Mattress: Nine Tales, McClelland & Stewart, 2014; Bloomsbury, 2014; Nan Talese / Doubleday, 2014
Children’s Books:
- Up in the Tree; McClelland & Stewart, 1978.
- Anna’s Pet (with Joyce Barkhouse); James Lorimer & Co., 1980.
- For the Birds; Douglas & McIntyre, 1990.
- Princess Prunella and the Purple Peanut; Key Porter, 1995; Workman Publishing, 1995.
- Rude Ramsay and the Roaring Radishes; Key Porter, 2003; Bloomsbury, 2003.
- Bashful Bob and Doleful Dorinda; Key Porter, 2004; Bloomsbury, 2004.
- Up in the Tree (facsimile reprint); Groundwood Books, 2006.
- Wandering Wenda and Widow Wallop’s Wunderground Washery; McArthur & Co., 2011.
Poetry:
- The Circle Game; Cranbrook Academy of Art, 1964; Contact Press, 1966; Anansi, 1967.
- The Animals in That Country; Oxford University Press, 1969; Atlantic Little-Brown, 1968.
- The Journals of Susanna Moodie; Oxford, 1970 illus. by Margaret Atwood; illus. by Charlie Pachter, Macfarlane, Walter & Ross, 1997.
- Procedures for Underground; Oxford, 1970; Atlantic Little-Brown, 1970.
- Power Politics; Anansi, 1971; Harper & Row, 1973.
- You Are Happy; Oxford, 1974; Harper & Row, 1975.
- Selected Poems; Oxford, 1976; Simon & Schuster, 1978.
- Selected Poems, 1965-1975; Houghton Mifflin, Oxford, 1976.
- Two-Headed Poems; Oxford, 1978.
- True Stories; Oxford, 1981.
- Interlunar; Oxford, 1984.
- Selected Poems II: Poems Selected and New, 1976-1986; Oxford, 1986; Houghton Mifflin, 1987.
- Selected Poems 1966-1984; Oxford University Press, 1990.
- Margaret Atwood Poems 1976-1986; Virago Press Limited, 1991.
- Morning in the Burned House; McClelland & Stewart, 1995; Houghton Mifflin, 1995, Virago Press, 1995.
- Eating Fire: Selected Poetry 1965-1995; Virago, 1998.
- The Door; McClelland & Stewart, 2007; Houghton Mifflin 2007; Virago 2007.
Non-Fiction:
- Survival: A Thematic Guide to Canadian Literature; Anansi, 1972. Reprinted 2012.
- Days of the Rebels 1815-1840; Toronto, Natural Science of Canada, 1977.
- Second Words: Selected Critical Prose; Anansi, 1982.
- Strange Things: The Malevolent North in Canadian Literature; Oxford University Press, 1995.
- Negotiating with the Dead: A Writer on Writing; Cambridge University Press, 2002.
- Moving Targets: Writing with Intent 1982-2004; Anansi, 2004.
- Curious Pursuits: Occasional Writing; Virago, 2005.
- Writing with Intent: Essays, Reviews, Personal Prose 1983-2005; Carroll & Graf, 2005.
- Payback: Debt and the Shadow Side of Wealth; Anansi, 2008.
- In Other Worlds: SF and the Human Imagination; Signal/McClelland & Stewart, 2011; Virago, 2011; Nan A. Talese/Doubleday, 2011.
Small Press Editions:
Poetry:
- Double Persephone; Hawkshead Press, 1961; pamphlet.
- Kaleidoscopes Baroque: a poem; Cranbrook Academy of Art, 1965.
- Talismans for Children; Crankbrook Academy of Art, 1965.
- Speeches for Doctor Frankenstein; Cranbrook Academy of Art, 1966.
- Marsh, Hawk; Dreadnaught, 1977.
- Notes Towards a Poem that Can Never be Written; Salamader Press, 1981.
- Snake Poems; Salamander Press, 1983.
Fiction:
- Encounters with the Element Man; Concord, New Hampshire, Ewert, 1982.
- Unearthing Suite; Grand Union Press, 1983.
- Bottle; Hay Festival, 2004.
- I Dream of Zenia with the Bright Red Teeth; The Walrus / Coach House Press, 2012.
Bellow is an Extract from one of my favorite novels by this author: The Handmaid's
Tale
Excerpt
I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will . . . Now the flesh arranges itself differently. I’m a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping.
This is one of my favorite quotes from the book even though the whole book is basically a pro- feminist campaign I think this is bit the drives the key idea. I think I like it so much because I connect with it on some many levels . I feel as a woman, and especially in my African culture, I have some many plans for my life but then I am told that theses plans have to be put on hold because my duty is to be a wife and a mother. I envy the vivid imagery and the symbolic metaphors that Atwood uses in the piece; they truly are exceptional